中国基于天人合一的宇宙观所建立起来的审美观认为,色彩所要表达的不仅是审美意义,还有生命意义。齐鲁大地自然环境和文化环境孕育、滋养着杨家埠木版年画。爱乌拉里奥·费雷尔提醒我们,人往往服从于色彩甚于顺从语言。[1] The aesthetic view established by China based on the cosmic view of the unity of nature and man is that the color should express not only aesthetic significance but also life meaning. Qilu earth natural environment and cultural environment, nurturing Yangjiabu woodcut New Year pictures. Love Uradio Ferrer reminds us that people tend to obey colors more than obedience. [1]