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季米特里·卡波林作为俄罗斯当代作曲家,他的作品数量众多,而且形式多样。他不仅在俄罗斯国内获得过许多作曲家奖项,而且在国际上的作曲比赛中,也屡获佳绩。他在创作上不仅使用了传统的创作技法,十二音作曲体系等,而且也在作品中尝试了音频半音的创作手法。而他的《第二交响曲》就是按照上述创作手法而创作出的一部三乐章的交响曲。本文具体研究季米特里·卡波林的《第二交响曲》的节奏节拍,包括在固定节拍单位中的划分、双重节奏的细分、无节拍、暗含的多重节拍和音色节奏型的研究。
As a contemporary composer in Russia, Dimitri Karporin has a large and diverse portfolio of works. He has won many composer awards not only in Russia but also in international composer competitions. He used not only the traditional creative techniques, the twelve-tone composition system, but also in the works tried the creative method of audio semitones. His “Symphony No. 2” is a symphony composed of three movements according to the above creative method. This article studies in detail the rhythm beat of the second symphony of Dimitri Kabolin, including division in fixed beat units, subdivision of double rhythms, no-beat, implicit multi-beats and rhythm patterns .