“诗、书、画、印”的结合,这是中国写意画走向成熟的构成形式,形成了独具民族文化意识的形式美风格。篆刻作为中国传统艺术形式,有其完整的审美系统。与此同时,也是中国画创作中的重要组成元素。在书法绘画作品中,篆刻不仅仅有“印信”的作用,也不仅是画面经营位置上的需要。篆刻的刀法之美、章法之美包括篆法之美和书画作品息息相关,最好使篆刻风格与绘画风格得以完美的结合。印及书画在精神层面上的交相辉映,使画面形式、内容更为丰富,加强了画面的节奏感和色彩韵味,从而达到了外在形式与内在规律的协调一致。总之, The combination of “poetry, calligraphy, painting and printing” is a form of maturity of Chinese freehand painting and forms a formal beauty style with unique national cultural awareness. As a traditional Chinese art form, carving has its complete aesthetic system. At the same time, it is also an important element in the creation of Chinese painting. In calligraphy and painting works, the seal cutting not only has the function of “Yin Yin”, nor is it the need of the picture management position. The beauty of the knife method of carving, the beauty of the chapter method is closely related to the beauty of calligraphy and painting, including the beauty of the seal art. It is best to make the perfect combination of the carving style and the painting style. Printing and calligraphy in the spiritual level of each other, so that the screen forms, content richer and enhance the sense of rhythm of the picture and color flavor, so as to achieve the coordination of the external form and internal laws. In short,