90年代前期,国企改革深化,失业人口和外地民工等城市游民激增,社会财富分配比例更趋拉大,基本上属于“无产者”阶层的青年艺术家实际上也成为城市边缘人,设身处地他们较前辈功成名就的艺术家有更多的对现实生存问题的切肤体验与敏感,尤其是“断裂”的七十年代前后出生的青年艺术家。 In the early 1990s, urban agglomerations such as the deepening of SOE reform, the unemployed population and migrant workers in the cities surged and the proportion of social wealth distribution widened. Young artists basically belonging to the “proletarian” class had actually become marginalized urbanites, setting themselves to be more famous than their predecessors Of the artists have more experience and sensitivity to real life problems, especially the “broken” young artists born before and after the seventies.