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文胜质则史,质胜文则野,在文化艺术上文与质一直是一个难以平衡的问题,对中国画而言,如何做到形神兼备、“文质彬彬”也一直困扰着身处其间的中国画家们。新中国成立后,由于意识形态的有效鼓动,题材的现实性与手法的写实性,成为了中国画坛的创作理念,追求文质相辅、形色相济成为了当
Wensheng quality history, quality wins Wen Zeye, in the arts and culture quality and quality has always been a difficult balance, the Chinese painting, how to do both shape and spirit, “gentle” has been plagued by During the Chinese painters. After the founding of New China, due to the effective encouragement of ideology, the reality of the subject matter and the realisticness of the technique have become the creative ideas of Chinese painting circles, with the pursuit of complementarity of forms and complementarity of forms and forms