目前,在非洲仅有的几个电影企业国有化国家中,西非马里正以自己前所未有的姿态逐渐步入世界电影行列。前不久,饮誉非洲的马里著名电影导演斯莱曼·希斯用他的卓绝艺术功力和才华,拍制出非洲首部带有哲理化意韵的民族影片杰作《光明》。该片一经公映,便迅即在世界影圈引起了广泛注目;普遍认为这部影片是当今非洲、甚至非洲电影发展史上的一部富有划时代意义的新片力作。对此,希斯导演冷静和坦率指出:我的片子不过是对好莱坞那些在非洲大赚其钱的暴力、轻喜剧等所谓成套的娱乐片的一种抵抗!我的片子不是机器人拍的,是有血有肉的非洲人拍的关于非洲民族的生活与历史。影片《光明》以一个奇特场景展开故事情节——一非洲少年在赤日炎炎的撒哈拉沙漠中,挖取出埋藏在沙漠深层中的蛋卵,然后石踏上了自己谋寻走出沙漠找到福音的旅途。光阴荏苒,少年长成青年,艰难的生 At present, among the few nationalized countries in Africa where film companies are the only ones, Mali, West Africa, is gradually entering the ranks of world cinema with its own unprecedented stance. Not long ago, renowned Malian film director Slimah Heath, renowned in Africa, filmed his first masterpiece of national film “Light” with philosophical charm with his outstanding artistic skill and talent. As soon as the film was released, it soon attracted widespread attention in the world. It was generally considered that this film is a epoch-making masterpiece in the history of film development in Africa and even Africa. In response, director Heath calmly and frankly pointed out: My film is only a resistance to the so-called complete set of entertainment films such as violence and light comedies that make a lot of money in Africa. My film is not a robot filming, but is Flesh-and-blood African people’s life and history about African peoples. The film “Bright” opens up the story in a peculiar scene - an African teenager digs egg eggs buried deep in the desert in the scorching sun of Sarajevo, and then the stone embarks on a journey of seeking out of the desert to find the gospel . Time flies, young grow into youth, difficult life