从作者与主人公审美关系的角度看,疯癫形象大致可分成两大类。一类是作为丧失理智与精神失常的病人形象进人艺术世界,其主要特征是在正常人的理性的语境中,成为情节发展的一个环节。作者仅仅把疯癫看作是理性的文明社会中的边缘现象,而不从这种边缘现象反过来看主流社会;另一类 From the perspective of the aesthetic relationship between the author and the hero, the images of madness can be roughly divided into two categories. One is to enter the art world as the patient’s image of loss of intellect and mental disorder. Its main feature is becoming a link in the development of the plot in the rational context of normal people. The author merely regards madness as a fringe phenomenon in a rational civilized society, instead of looking at the mainstream society from this fringe phenomenon. On the other hand,