钱穆谈中国绘画,说南齐人谢赫提出六法,为历代画家所推重。六法者,即气韵生动、骨法用笔、应物象形、随类赋彩、经营位置、传移模写。钱穆认为,六法是对画本身而言,限于画品。五百年后,经唐末至北宋,郭若虚提出“人品既已高矣,气韵不得不高”的说法,将人品置于谢赫所提气韵之上,这是宋人的新概念。有意思。讲人品,就讲到画背后的事,讲到了画的背后有人在。正如什么样的树开什么样的花,什么样的人写什么样的文章一样。什么样的人,当然就画什么样的画。屈 Qian Mu talked about Chinese painting, saying that the Nancy Sheikh put forward six methods, which have been respected by ancient painters. Six law, that is, vivid charm, bone method with pen, should be pictographic, with the class color, business location, transfer mode write. Qian Mu believes that the six laws are limited to paintings in terms of painting itself. Five hundred years later, by the end of the Tang Dynasty to the Northern Song Dynasty, Guo Ruoxu proposed that “the character is high and the charm has to be high” New concept. interesting. Speaking of character, it talked about the painting behind the things, talked about someone behind the painting. Just like what kind of tree flowers and what kind of people to write what kind of article. What kind of person, of course, what kind of painting. Qu