《清代散见戏曲史料汇编》“二编”所收散见戏曲史料的学术价值在于:一是涉及剧目众多,仅经常上演者就不下百种。其中有南戏、传奇、杂剧,也有民间小戏,还有从不见于各家书目著录者;二是对各类艺人的生平事迹及伎艺专长均有载述;三是一些不甚知名的作品,在当时演出却异常火爆,可以藉此考察戏曲传播、演进的规律;四是涉及大量不同地域、场所的戏曲活动,包括特殊场所演剧(如禅堂);五是对历来不为正统文人所重视的民间流行的各类表演伎艺(如秧歌、俗曲、小调等)多所述及,可补一般戏曲史之未逮。 The academic value of historical drama of the drama of Song Dynasty collected in the compilation of historical drama of the loose drama in the Qing Dynasty is as follows: First, there are many repertoires involving no fewer than 100 kinds of staged performances. Among them, there are South Opera, Legend and Zaju, there are also folk operas, as well as those never seen in various bibliographies; second, the life stories of all kinds of artists and their craft skills are described; Third, some less well-known works, The performance at that time was unusually hot and could be used to examine the law of the spread and evolution of the opera. Fourthly, the opera activities involving a large number of different regions and places, including special places for drama (such as the meditation hall), were emphasized. Fifth, attention was paid not to the orthodox scholars The various popular performing arts (such as yangko, vulgar, minor, etc.) mentioned above, can make up for the general history of the drama missed.