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近十多年来,中国陶艺的创作势头可以说渐入佳境。全国各地的老中青三代陶艺家纷纷涌现．逐渐成熟。陶艺家们采取了不同的创作路数．从不同的角度表现了“人心所向”。在这一过程中．中国的陶瓷传统和文化背景,与世界性的陶瓷传统和文化背景,在时间性维度和空间性维度的交汇点上．对中国当代陶艺创作灌注了来源复杂的影响．其问微妙之处恐怕只有个中人方能有深切体会。这样的时势在创造怎样的英雄?我们的陶艺家在他们的探索之路上履行着怎样的艺术之道?在这方面,高振宇和陈光辉两位陶艺家具有一定的代表性．各自在自身选择的方向上都迈出了实实在在的步子．他们的成就也是有目共睹的。今天．我们就请二位陶艺家就其创作谈谈他们的看法。
In recent ten years, the momentum of Chinese pottery creation can be said to get better. Three generations of potters from all over the country have emerged. Gradually mature. Potters have taken different approaches to creation. From a different point of view of the “people’s heart.” in this process. China’s ceramic tradition and cultural background, and the global ceramic tradition and cultural background, at the intersection of the temporal dimension and the spatial dimension. It infuses the complex origins of Chinese contemporary pottery creation. The subtleties of the question may only be able to have deep experience. What kind of hero is the creator of such a trend? How do our artists carry out their art in their exploration? In this regard, Gao Zhenyu and Chen Guanghui are two representatives of potters. Each taking a real step in the direction of their own choice. Their achievements are obvious to all. Nowadays. We ask two potters to talk about their views on their creation.