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随着都市化进程的发展,传统山水画中的田园风情正在被新兴的都市繁华景象所取代。如何以山水画的形式展现时代的变迁,表现这一新兴的都市丛林风景,便成为每个山水画家所必须严肃思考的新课题。中国最早的以都市为题材的山水画主要以表现人们所居住的生活场景为主。宋代张择端的《清明上河图》以及清代的《康熙南巡》等画作即是其中的典型,这些作品以工整的笔墨语言,客观再现了当时的社会风貌。新中国成立初期,以傅抱石、李可染等为首的一大批山水画家以改良中国山水画为己任,致力于改变
With the development of the process of urbanization, the pastoral style in the traditional landscape painting is being replaced by the bustling scene of the emerging city. How to show the changes of the times in the form of landscape paintings and show the emerging urban jungle landscape has become a new topic that every landscape painter must seriously consider. The earliest urban landscape painting in China mainly displays the living scenes inhabited by people. The paintings of Zhang Zeduan’s “Qingming Riverside Plan” in the Song Dynasty and the “Kangxi South Tour” in the Qing Dynasty are typical examples of these works. These works objectively reproduce the social outlook at that time with the neat pen and ink language. In the early days of the founding of New China, a large number of landscape painters headed by Fu Baoshi and Li Keran and others committed themselves to improving Chinese landscape painting,