社会学的理论和音乐史研究的方法论的重要性在近十年来大大增长了。标志着背离了以前音乐社会学的论点的一个80年代音乐社会学突出的特点是关于群众文化思想腐蚀的论述,这曾经是精英统治论者和区分群众文化与列宁主义无产阶级“第二种文化”的马克思主义者的理论台柱。新的文化理论的 The importance of the methodology of sociological and music history research has grown dramatically in the last decade. A salient feature of the sociology of music of the 1980s, which marked a departure from the arguments of previous sociology of music, was the account of the erosion of mass cultural ideology, which was once the second culture of the elite ruler and the separation of mass culture from the Leninist proletariat "Marxist theoretical platform. New cultural theory