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活跃于30年代中国文坛的萧红,始终立足女性视角观察写作,在1932年始至1942年10年间作品始终将笔触伸向旧中国农村社会普通妇女,重现她们原始灵魂在社会在生活中的卑微与壮阔、顺从与反抗的对立统一形态,阐释女性艰涩的生命美和宿命式的生命轨迹。《红楼梦》中贾宝玉说:“女儿是水做的骨肉,男儿是泥做的骨肉。”本文借这一描述的外形,将萧红笔下劳苦、厚实、被侮辱、被践踏的女性形象与那混浊而芳醇的泥土建立意象的关联,并称其作是“泥做的女人”。
Xiao Hong, who was active in the Chinese literary world of the 1930s, always observed the writing based on the female perspective. From the beginning of 1932 to the decade of 1942, his work always extended his brushwork to the ordinary women in the old Chinese rural communities to reproduce the humbleness of their original souls in society Magnificent, obedient and resisting the unity of opposites, explaining the beauty of life and the fate of fatal life trajectory. “A Dream of Red Mansions” Jia Baoyu said: “The daughter is made of flesh and blood, man is the flesh and blood of the mud.” This article by the description of the shape, Xiao Hong pen under the hard, thick, insulted, trampled female image and That muddy and mellow soil establishes the connection of the imagery and calls it “a woman made of clay.”