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编者按:2014年10月19日,经过四天延期,第十二届全国美展中国画展在天津美术馆闭幕。作为由中华人民共和国文化部、中国文学艺术界联合会和中国美术家协会共同主办的规模最大、规格最高、参与范围最广的国家级综合性美术大展,其地位与作用不言而喻,这种展览模式曾为新中国美术史贡献了众多产生广泛影响的革命现实主义作品和一大批优秀画家,纵观当今画坛诸多大家、名家,几乎都拥有在全国美展上的不俗表现和辉煌履历。不过,世易时移,国家的政治经济改变了人们的文化生活环境,艺术市场的形成改变了画家的生存状态,西方当代艺术观念的冲击促进了多元局面的出现,西式美术教育体制必然地导致了民族绘画传统
Editor’s Note: On October 19, 2014, after a four-day extension, the 12th National Art Exhibition of Chinese Art was closed at the Tianjin Art Museum. As a state-level comprehensive art exhibition co-sponsored by the Ministry of Culture of the People’s Republic of China, the Federation of Chinese Literature and Art Circles and the Chinese Artists Association, the status and role of the state-level comprehensive art exhibition, which is the largest in scale, highest in specification and most widely involved, This exhibition mode has contributed a large number of influential revolutionary realism works and a large number of outstanding painters to the history of new Chinese art. Looking at many of today’s painting circles and masters, almost all have outstanding performances and glorious resumes in the national art exhibition . However, the political instability of the country has changed people’s cultural life environment. The formation of the art market has changed the living conditions of painters. The impact of Western contemporary art concepts has promoted the emergence of diversified situations. Western art education system inevitably leads to The national painting tradition