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本文针对人们对余华的中篇小说《一个地主的死》的文本生成尚未形成清晰的认识、给出适切评价的现状,希望通过文本细读,从微观角度在还原文本的生成过程中,将它置放到一个更大的、具有决定性意义的互文系统,在作者的文本策略中,在他隐蔽的文本操作中,也就是在行为和活动层面,发掘它的本源性意义,寻找余华创作二度转型踪迹,并最终穿越错综复杂的文本谜团,揭示文本的内在冲突,最终形成对其解构性、颠覆性书写策略的新的领会和理解。
This article aims at the current situation that people have not formed a clear understanding of the textual creation of Yu Hua’s novella “The Death of a Landlord”, and gives a proper assessment of the situation. He hopes that through textual reading, from the microscopic point of view, It is placed in a larger and decisive intertextual system. In the author’s text strategy, in his covert textual operations, that is, at the behavioral and activity level, it explores its originality and looks for Yu Hua’s creation Second transition traces, and eventually through the intricacies of the text puzzle to reveal the inherent conflicts of the text, and ultimately form a new understanding and deconstruction of its disruptive writing strategy.