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在《醇酒集》和《图画诗》等诗集中,阿波利奈尔利用对诗歌语言与形式的革新和对绘画艺术与语言艺术之间壁垒的打破,对“为艺术而艺术”的经典诗歌形式主义进行了重新定义。诗人对文字自我创造能力与诗歌形式美的追求,反映了作为先锋主义者的个人价值观和传统诗歌表达性与叙述性的深刻危机。这导致其诗歌中充满了晦涩难懂的意象、断续的语句、混合的形式、多重的声音等等,使诗歌在破坏了自己传统的固定形式之后嬗变成了一种反形式,而这种新形式主义正是20世纪先锋诗歌的主要特征,是诗歌最终走向无形的形式和能指-符号的开端。
Apollinare uses the breakthroughs in the language and form of poetry and the break of the barriers between the art of painting and the art of language to the poems of “Alcoholic Set” and “Picture Poems” Formalism has been redefined. The poet’s pursuit of the ability of creating words by themselves and the beauty of the form of poetry reflects the profound crisis of being a pioneerist individual’s values and the expression and narration of traditional poetry. This led to poetry full of obscure images, intermittent statements, mixed forms, multiple voices, etc., so that after the destruction of the traditional fixed form, poetry evolved into an anti-form, and this Neo-formalism is the main feature of avant-garde poetry in the 20th century. It is the beginning of the sign that poetry eventually moves toward an invisible form and signifier.