美国作家冯内古特在代表作《五号屠场》中展现出了充满后现代色彩的死亡观。生之无奈,死之荒诞,生与死之间时时刻刻都可能转换,生命随时可能走向死亡,死亡之后很快会复生,之后又随时可能走向生。死亡只是人生中的一个短暂的时刻,而不再是客观的、凝固的、一维的。死亡后现代语境下不断地走向不确定,并不断地颠覆与解构了传统意义上的死亡观。 Vonnegut, the American writer, has shown a postmodern outlook on death in his masterpiece “Slaughterhouse # 5”. Reluctantly born, absurd death, life and death may be transformed all the time, life may die at any time, soon after the resurrection of death, and then may go to students at any time. Death is only a brief moment in life, and no longer objective, frozen, one-dimensional. Under the modern context of death, death has been constantly moving towards uncertainty and has constantly subverted and deconstructed the concept of death in the traditional sense.