深圳《晶报》为创刊十周年,在书城做了一个优秀新闻摄影作品展,从其中精选出了十幅,作为“十年十图”在纪念号刊出。这十幅图片都是被报社认可的佳作,其中有的还获过各种奖项。但是,如果对这十幅图进行视觉分析,发现它们存在观看立场和观看方式的微妙的差别,差别的背后,隐含着观看的权力关系。《断指人》、《吸毒女阿丽》、《半截人彭水林》可视为当代艺术作品。在这类作品里,作者的人文情怀非常鲜明。作品表现的是处在社会边缘的人群,他们是残疾的或非常态的,他们常常会被这个社会忽视和遗忘。其中, Shenzhen “Jing Bao” was the tenth anniversary of the founding, in the bookstore made a good news photo exhibition, selected from the ten, as “ten years ten” in the commemorative issue. These ten pictures are all the good works approved by the newspaper, some of which have also won various awards. However, if we visually analyze these ten pictures and find out that they have subtle differences in the way we watch and look, behind the differences lies the power relations we watch. “Broken Finger People”, “drug abuse female Ali”, “half Pengshui Lin” can be regarded as contemporary art. In these works, the author’s human feelings are very clear. Works show the people at the margins of society, who are disabled or abnormal and who are often overlooked and forgotten by the community. among them,