《南国红豆》2002年第六期“剧目评论”一栏里登载了5篇文章,其中有一篇题目为《众说纷纭<花月影>——台上台下的调查》(是该刊记者秦莹所写)。正如此文的开篇所说:“广州粵剧团今年‘蓄谋’已久的大制作《花月影》于10月1日、2日在广州黄花岗剧院上演,引起了对粤剧如何改革和创新的又一场热烈的争论。该作品打出的‘新都市粤剧’旗号,更是在行内犹如投入一块巨石,成为众人点评的焦点之一。”笔者读完全文之后,的确震动很大,其中有三点感觉是从事粵剧改革的人颇值得深思 “Southern Red Bean” in 2002 the sixth period “repertoire comment” column published 5 articles, of which there is an article entitled “different opinions - the audience on stage” (is the correspondent Qin Ying write). As the opening article said: “Guangzhou Cantonese Opera Troupe ’s planned production for a long time,” Hua Yue Ying “was staged on January 1 and 2 in Guangzhou Huanghuagang Theater, which aroused the reform and innovation of Cantonese Opera A heated debate, the title of ’New City Cantonese Opera’ hit by this work is more like putting a boulder into the line, becoming one of the focuses of the commentary. ”After I read the full text, I really felt a great deal of vibration, of which three felt It is worth pondering over the reform of Cantonese opera