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就中国动画产业来说,“模”之本能乃是“贪欲”之原罪。也许正如阿多诺所言,现代艺术模仿的对象不是别的,正是资本。于是,暴力在冲击儿童感官神经时不再触动心灵,不再引发反思的旨趣,虚拟的暴力娱乐开始变成真实的暴力伤害,原本纯净的儿童世界已然陷入暴力纷争。本土动画唯有在自主的拿来中重建个性的主体,才能摒除“模”的原罪,在传统民族文化精神的审美匡正中规避“仿”的代价,重拾“善”的本性。
As far as the Chinese animation industry is concerned, the instinct of “modulo” is the original sin of “greed”. Perhaps, as Adorno put it, the object of modern art imitation is nothing but capital. As a result, violence no longer touches the soul when it attacks children’s sensory nerves, refrains from introspection, and virtual violent entertainment begins to become a real violent injury. The originally pure world of children is already in a violent dispute. Only when the local animations reconstruct the main body of individuality in their own initiative can the original sin of the “modulo” be excluded and the cost of “imitation” avoided in the aesthetic rectification of the traditional national cultural spirit, The nature of