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歌剧所创造的最高艺术境界,即歌剧的呈现效果。舞台呈现完成了歌剧作品由一度创作到二度创作内在生命的外化,这种转化过程正是歌剧创作中诸元素视听一体化的整体艺术创作过程。因此,要理解歌剧的完整性,就必须考察其视觉性。尤其在步入后现代社会,在多媒体技术飞速发展下对立体视觉声效的追求,使观众可以获取全方位的整体视听体验。音乐视觉化表现及多维感官审美,也成为当代歌剧
Opera created by the highest artistic realm, that is, the effect of the opera. The performance of the stage has completed the externalization of the opera’s creation from the first creation to the second creation of the inner life. This conversion process is the integral artistic creation process of audiovisual integration of the elements in opera creation. Therefore, to understand the integrity of the opera, we must examine its visual. Especially in the post-modern society, with the rapid development of multimedia technologies, the pursuit of stereoscopic sound effects has enabled the audiences to obtain a full range of overall audio-visual experience. Music visual performance and multi-dimensional sensory aesthetic, but also become a contemporary opera