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在德国科隆歌剧院《尼伯龙根的指环》即将登陆上海前夕,上海大剧院艺术课堂特别安排了5场有关《指环》的系列讲座。本刊选取其中3场讲座的内容进行了整编,即7月17日科隆歌剧院院长乌韦·埃里克·劳芬伯格(Uwe Eric Laufenberg)关于《指环》、拜罗伊特节日剧院的诞生过程、瓦格纳家族争斗以及《指环》版本的演变;7月25日音乐学博士李正欣通过现场弹奏讲解的《指环》中近20个主导动机;7月18日音乐评论家刘雪枫以《指环》的故事为本所阐述的《指环》的核心内容“爱情”。同时,我们还要向读者介绍一位来自澳大利亚墨尔本的《指环》超级粉丝,他的经历和感受或许能够让大家对《指环》产生更直接的亲近与认同感。
On the eve of the “Ring of Nibelungen” in Cologne’s German Opera House, which is about to land in Shanghai, a special series of lectures on “The Rings” was organized in the Shanghai Grand Theater Art Class. The magazine selected three lectures on the contents of the reorganization, that July 17 Cologne Opera Dean Uwe Eric Laufenberg on the “ring”, Bayreuth Festival Theater The birth of the Wagner family and the evolution of the “Rings” version. On July 25, Dr. Li Zhengxin, a musicologist, gave a lecture on nearly 20 leading motives in “The Rings”. On July 18, music critic Liu Xuefeng used “The Rings ”The story is based on the“ ring ”of the core content “ love ”. At the same time, we also introduce to readers a “ring” supermodel from Melbourne, Australia, whose experiences and feelings may give us a more direct approach and identity to the “ring”.