意象历来是诗学研究中的重要课题。在20世纪40年代,九叶诗派诗人、诗学家唐湜通过对诗歌历史与现状的考察,对意象及其特征进行了自己的独特描述,认为意象就是诗歌本身而不只是传达手段,意象是灵魂与意志的凝合,是潜意识与意识之间的桥梁,并认为凝定的“姿”是诗歌意象的形态特征。 Imagery has always been an important issue in poetics research. In the 1940s, Jiuye school poet and poet Tang Yong made a unique description of the image and its characteristics through the investigation of the history and current situation of the poetry. He thought that the image is the poetry itself rather than the means of communication and the image Is the condensation of the soul and the will, is the bridge between subconscious and consciousness, and holds that the “posture” of the setting is the morphological characteristic of the poetic imagery.