抓活的思想,为兴无灭资服务,这是革命文艺的根本任务之一。文艺是否具有强烈的战斗性,就看它是否抓了活的思想。南京部队某部战士业余小话剧队不久前在北京演出的小话剧《谁是指导员》,就是在这方面做得比较好的一个剧目,因而受到广大观众的赞誉和好评。戏的故事很简单:一个名叫王小刚的新战士因病住院来了。可是他很不安心,唯恐住院时间太长,会影响他更快地学会保卫祖国的本领。他的这个思想问题,引起了周围同志的关切,大家都来诚恳地耐心地帮助他。虽然王小刚曾搬出种种理由来试图说 Grasping live thoughts and providing no capital relief service is one of the fundamental tasks of revolutionary literature and art. Whether art has a strong combat effectiveness depends on whether it captures a living thought. The small drama “who is the instructor” that a soldier of a soldier of a certain unit of the Nanjing Army recently performed in Beijing recently was a well-performed repertoire in this respect and was praised and praised by the vast audience. The story of the play is very simple: a new warrior named Wang Xiaogang came to hospital for illness. However, he was very restless, lest hospitalization for too long, will affect his ability to learn faster to defend the motherland. His thoughts on this issue aroused the concern of the surrounding comrades. All of us have sincerely and patiently helped him. Although Wang Xiaogang had moved out of various reasons to try to say