论文部分内容阅读
岁末年初,我院相继推出两台大戏,一个是表演系00级的毕业公演剧目《将心比心》,另一个是本院与美国巴德学院联合制作与演出的交流剧目《神仙与好女人》。为了及时总结经验、促进学术研究以推动我院的教学改革和戏剧艺术创作,这两个戏演出一结束,由本刊编辑部和表演系于1月9日联合举办了一次有学院领导、院内外近十多位专家学者及部分师生代表参加的大型学术研讨会。与此同时,针对这两部戏的演出,网上特别设立的“场外评论”也异常活跃讨论也相当热烈。由于篇幅有限,下面仅选载了该次座谈会部分与会者的发言和部分“场外评论”的摘要。
At the end of this year and the beginning of this year, two ceremonies were successively launched in our college, one is the graduation performance program “Heart to Heart” featuring performance class 00 and the exchange drama “Fairy and Good Woman” co-produced and performed by Bard College and the United States. In order to summarize the experience in time and promote academic research to promote the teaching reform and drama creation in our college, the two performances ended. The editorial department and performance department of our magazine jointly organized a conference on January 9th with academic leaders, Inside and outside nearly a dozen experts and scholars and some teachers and students attended the large-scale academic seminar. In the meantime, there was also a very lively discussion of the off-site reviews that were specially set up online for the performances of these two operas. Due to the limited space, the following is only a summary of the speeches made by some participants of the symposium and some of the “off-site comments”.