康熙二十年以后,景德镇御用瓷器的烧造逐渐步入正轨,在继承传统的基础上,不断创新,承前启后、继往开来,为雍正、乾隆时期景德镇瓷业生产臻达顶峰奠定了基础。「粉彩」之名最早出现于晚清文献中,康熙时期绝无「粉彩」之名。所谓康熙粉彩瓷器其实就是自雍正开始所称的「洋彩」。康熙时期的珐琅彩瓷器,从色彩搭配、纹饰布局到款识内容和样式均摹仿当时铜胎画珐琅效果。由于施彩较厚,致 After the reign of Kangxi two decades later, the porcelain wares for Jingdezhen were gradually getting on the right track. On the basis of inheriting the tradition, they continued to make innovations, inherited the past and inherited from the past, laying the foundation for the porcelain production reaching a peak in Jingdezhen during the period of the Yongzheng and Qianlong Dynasties. The name “pastel” first appeared in the late Qing literature, there was no “pastel” in the name of the Kangxi period. The so-called Kangxi pastel porcelain is actually called since the beginning of Yongzheng “foreign color.” Enamel porcelain during the reign of Emperor Kangxi, from the color, decorative layout to the identity of the content and style are imitated copper enamel painting effect. As a result of thick color, caused