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在第十一届中国艺术节上,豫剧《焦裕禄》、评剧《母亲》、淮剧《小镇》从19台地方戏中脱颖而出,荣获文华大奖。而综观本届艺术节的地方戏作品,可谓争奇斗艳、异彩纷呈,在这三台获奖剧目之外,不乏遗珠。成都市川剧院的《尘埃落定》便是如此,从剧本到舞台呈现都力求回归戏曲本体,有着一部好剧该有的品相。一、在剧本创作上对戏曲本体的回归该剧改编自藏族作家阿来获矛盾文学奖的长篇小说《尘埃落定》。剧本尊重小说原著,按照传统戏曲
At the 11th China Arts Festival, opera “Jiao Yulu”, Pingju “mother” and Huaihua “town” stood out from 19 sets of local operas and won the Wenhua Prize. As far as this festival is concerned, local theater productions can be described as fantastic and colorful. There are no other forms of award-winning repertoire than the three award-winning repertoire. Chengdu Chuan Theater, “the dust settles” is the case, from the script to the stage are trying to return to opera the main body, there is a good drama should have the phase. I. The Return of the Maintainer of Opera in Script Creation The play was adapted from the novel “Settled Down in Dust”, a novel written by Tibetan writer Ah Lai who won the Contradictory Literature Award. The script respects the original novel, according to the traditional opera