大致说来,北宋篆书的发展无法摆脱唐代李阳冰玉箸篆的藩篱,但究其实际来讲,其仍然存在着因循社会环境的变迁而不断更改书写观念的迹象。如前期,文字学大兴,篆书家主要聚集于徐铉兄弟、郭忠恕、欧中正、梦英等诸家,篆书取法在李阳冰,徐铉在晚年获观《峄山刻石》,出现了由取法唐篆转向秦篆的迹象;中期,金石学大兴,形成了以欧阳修、刘敞、杨南仲、章友直为中心的篆书家群体,他们对篆书的认识主要是通过金石考订来完成的,取法方向停留在“尊古”的阶段;后期书法大肆盛行尚意书风,形成了以王寿卿、米 Generally speaking, the development of the seal script of the Northern Song dynasty can not get rid of the barriers of the Tang Dynasty LiYangBing jade seal, but in reality, there are still signs of changing the writing concept due to the change of the social environment. As early as the text, Daxing literature, seal scriptors mainly gathered in the Xu Xuan brothers, Guo Zhongshu, Europe and China are, Dreams and other home, seal script in Li Yang Bing, Xu Xuan in late years by the concept of “Qianshan stone”, appeared from the law Tang Zhuan turned to the signs of Qin Zhuan. In the mid-term, Daxing gemmology formed a group of seal calligraphists mainly centered on Ouyang Xiu, Liu Chang, Yang Nanzhong, and Zhang Youzhi. Their understanding of seal script was mainly achieved through examination of stone, Stay in “respect ancient ” stage; late calligraphy wanton prevailing style of writing, formed by Wang Shouqing, rice