古波近几年的油画作品,给我的感觉是成熟了,前几年的作品大多他都毁掉了,那一批作品,我觉得在绘画语言上不太成熟。那些作品很强调意识形态精神上的东西,关注人性,再现他对人、世界的看法,这些都是无可厚非。但那些作品他不重视和放弃了绘画语言,所以我觉得不太成熟,因为不讲绘画语言,基本就脱离了绘画的土壤,至少我是这样以为的。但现在的这一批画就不同了,我觉得画风成熟且独特,也有相当的品位,其中很多作品都以生动这一独特方式展现出来,这些画我都很喜欢,特别是《洗衣的母亲》《卖玉米的人》《小吃》这三幅更突出一点。它们都反映了现实的中国人、他身边的人的生活的纪录。随着时间的推移,这些题材内容、生活面貌将随之变成历史,它们除了有文化艺术研究价值以外,必然也会有社会生活的历史研究价值。这是所有现实主义作品的共同特征,希望他能沿此风格走下去,我认为至少应该作为他的绘画风格之一,因为此风格包括画技都很成熟,至少我个人这样认为。 Gu waves in recent years, oil paintings, gave me the feeling is mature, a few years ago most of the works he destroyed, that a number of works, I think in the language of painting is not mature. Those works are very much emphasis on ideological and spiritual things, concerned about human nature, to reproduce his views on people, the world, these are beyond reproach. But those works he did not value and gave up the language of painting, so I think it is not mature, because do not speak the language of painting, basically from the soil of painting, at least I think so. But now the paintings are different. I think the style of painting is mature and unique. There are quite a few tastes. Many of the paintings are vividly presented in this unique way. All I love about these paintings, especially the “laundry mother ”Those who sell corn“ ”snacks" These three more prominent. They all reflect the reality of the Chinese people, the records of the lives of others around him. With the passage of time, the content of these themes and their outlook on life will subsequently turn into history. Apart from the research value of culture and the arts, they will inevitably have the historical research value of social life. This is a common feature of all realistic works. I hope he can go down this style. I think at least he should be one of his painting styles, because this style is very mature, including painting techniques, at least personally.