“大众”在现代文艺批评中占有特殊的地位。从20世纪二三十年代左翼“大众化”讨论开始,一直到毛泽东《在延安文艺座谈会上的讲话》发表,它一直是一个使用频率颇高的关键词。假如对此段现代文艺的发展历程做一简单考察,轻易就可拈出诸如“大众文艺”、“大众化”、“大众语”等由“大众”修饰组合而成的文艺词条。然而,引起我们注意的是,在毛泽 “Mass ” occupies a special position in modern literary criticism. From the discussion on the left-wing “popularization” of the 1920s and 1930s until Mao Zedong’s “Speech at the Yan’an Literature and Art Symposium,” it has been a frequently used keyword. If this section of the development of modern literature and art to do a simple inspection process, you can easily pick out such as “popular literature and art ”, “popularity ”, “popular language ” from “public ” modification combination Literary entries. However, what catches our attention is that Mao Zedong