浙江省博物馆藏祝允明与文徵明合作之《四体千字文》,祝书真草二体,文书篆隶二体,为展示他们壮年时期书法面貌的难得之作。祝文两人为明中期吴中最杰出的书家,他们都师法赵孟頫习书的路子上追晋唐。特别是文徵明,有意恢复古法,在篆隶的传承与推广方面着力尤多,但在实际书写中却仅取了篆隶的结体,笔法依旧是行楷帖学的路子,观者感受到的是雅而不古的书卷气。他虽然受到画史上仿古风气逐渐盛行的影响,但摹写方式趋于自由,重点借古人的精神、气韵作深入发挥,形成自己的创作语言。 Zhejiang Provincial Museum Zhu Yunming and Wen Zhengming co-operation of the “four-body thousand words,” Zhu Zhu real grass body, the text Zhuan Li two body, to show their prime of calligraphy appearance rare. The two were the most outstanding calligraphers in the mid-Ming Wu period, and both of them practiced Zhao Jin and Tang dynasties for studying the book. Especially Wen Zhengming, intends to restore the ancient law, in the Zhuan Li’s heritage and promotion focused more, but in the actual writing is only taken Zhuan Li’s knot, the writing method is still the act of Kai-Tie Tie, the viewer experience To the elegant and not ancient bookish. Although he was influenced by the prevailing antiquity in the history of painting, his mode of writing tended to be free, with a focus on the spirit and charm of the ancients in order to develop his own creative language.