论文部分内容阅读
一抔泥,一把雕刻刀,泥土伴随了他近30年,在张国祥手中,取材、和泥、成型……经过四五道工序,一团普通的泥巴在短时间内就能化为活灵活现的钟馗、济公等中国传统人物。“泥塑的关键是要传神,要塑出人物或动物的灵魂。”这是他对自己作品的要求。为了塑造钟馗、济公等泥塑,张国祥用很长时间进行准备,反复读原著,查阅连环画、观看影视剧,琢磨每一个人物的性格和灵魂;为了做好一组泥塑,张国祥甚至可以一天不吃不喝,几天不睡;为了拿捏把握好人物的面部表情,他对着镜子捏自己的人像;为了做好泥塑,他全身心的投入,哪怕
A mud, a carving knife, the soil accompanied him for nearly 30 years, in the hands of Zhang Guoxiang, drawing, and mud, forming ... ... After four or five steps, a mass of ordinary mud in a short period of time can be turned into vivid Zhong Kui, Ji Gong and other Chinese traditional characters. “The key to clay sculpture is to express the soul of a person or animal.” This is his request for his own work. Zhang Guoxiang used a long time to prepare, repeatedly read the original, view comic books, watch TV drama, pondering the character and soul of each character; in order to do a good job of a group of clay sculpture, Zhang Guoxiang can even eat without day Drink, a few days do not sleep; in order to grasp the good facial expressions, he pinched his portrait in the mirror; in order to do clay, he devoted himself, even if