话得从一位大学生的毕业论文谈起。去年初,这位学生找到《陕西戏剧》编辑部,请编辑指导自己撰写关于商洛花鼓戏《六斤县长》的毕业论文。大学生中固然不乏戏剧爱好者,但愿意以戏曲现代戏作毕业研究课题的却委实少见。编辑部重视这位学生的请求,不仅热情地帮助他撰写论文,而且因势利导,同他所在大学的中文系建立了联系,举办了诸如向班级馈赠刊物,邀请学生看戏、评戏等活动。这几年常听到“戏剧评论队伍后继乏人”的感叹;戏剧刊物多了,编辑部来稿不丰、“找米下锅”的窘 Talk from a college graduate thesis. Earlier last year, the student found the editorial department of “Shaanxi Drama.” Please edit and direct him to write a dissertation on the “six-kilogram magistrate” of the Shangluo Flower-drum Opera. Although there is no lack of drama lovers in college students, but are willing to drama in modern drama graduate research topics are indeed rare. The editorial department valued the student’s request not only to help him write his paper passionately, but also to make the best of his situation by establishing contacts with the Chinese department of his university and holding activities such as giving classes to the class, inviting students to watch movies and critics. In recent years, I often hear the sigh of “the successors to the dramatic review team”; the more drama publications, the editorial department is not rich,