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电影《百鸟朝凤》引起热议,是乡愁情结、电影艺术、资本市场三者竞相角力的结果。在学界,由此引发的则是百年乡土想象与写作如何可持续的话题。在城镇化/城市化继续高歌猛进、中国当代农村持续空心和萎缩的现实面前,无论是文学还是电影,任何一种“乡土”叙事类型,都遭遇了前所未有的危机。凡此种种,既不是“现代性”一言所能蔽之,也不是“发展”的悖论所能完全解释,而是必须回到当代中国的复杂现实中去予以清理和正视。
The film “Bird to Phoenix” hot debate, nostalgia complex, movie art, capital markets, the result of the struggle between the three. In the academic world, this triggered the topic of how the local native imagination and writing can be sustained. In the face of continued march / urbanization and the fact that contemporary Chinese countryside continues to be hollow and shrinking, no matter whether it is literature or film, any type of “native” narrative encounters an unprecedented crisis. All this can not be completely explained by the paradox of “modernity ” in one word or the development of “”, but must be returned to the complex reality of contemporary China to be cleared up and addressed .