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提琴制作者和爱好者,经常会接触到提琴相片,通过看琴相,了解和认识提琴。有时候看到好琴,想把它拍摄下来,但问题就来了,提琴是一件多弧度且有油漆的反光体,在很多角度摆灯或者利用自然光,都会在琴身上形成反光,用闪光灯进行补光,则会有更强列的反光,得不到理想的视觉效果。在2004年的时候,我参与编辑了《提琴制作家梁国辉》一书,
Fiddler makers and enthusiasts often come in contact with the violin photos, by understanding the piano phase, to understand and recognize the violin. Sometimes I see a good piano, I want to take it down, but the problem is that the violin is a multi-arc and painted reflector, put the light in many angles or the use of natural light, will form a reflection on the body, with a flash For fill light, there will be a stronger column of reflective, not the ideal visual effects. In 2004, I participated in the editing of “violin maker Liang Guohui,” a book,