清代书画作伪,较之明代,有增无减,到晚清,再次掀起高潮,其作伪的情况、手段、地区有所翻新和拓宽,造成真伪掺杂的混乱局面,对此,《书画说钤》一书有概括的阐述(不录)。此文主要依据我院举办的“明清书画鉴定特展”略为增减而作,不全之处,请同仁见谅。 Compared with the Ming Dynasty, the painting and calligraphy of the Qing Dynasty increased in size and increased in the late Qing Dynasty, setting off the climax again. As a result, the situation and means of counterfeiting the Qing Dynasty were refurbished and broadened in the region, resulting in the confusion of authenticity and doping. In this regard, Say 钤 “a summary of the book (not recorded). This article is mainly based on our hospital held the ”Ming and Qing calligraphy and painting appraisal special exhibition" slightly increase and decrease for the incomplete, please colleagues forgive me.