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在中国书法美学的发展过程中,王僧虔书法神采论的提出,使书法艺术真正打上了艺术的烙印;而张怀璀的“唯观神采”说,为浪漫主义书法风格和流派的形成、发展提供了理论依据,并最终促成了浪漫主义写意书风在中国书法史上的崇高地位。魏晋六朝在中国文化史上,是一个重大的变革时期,这一时期“人的自觉”和“文的自觉”为中国文艺的发展产生了重要影响。此时,对人的品评上,已不仅仅是停留在外表的行为、节操上,而是逐步深
In the process of the development of Chinese calligraphy aesthetics, the proposition of Wang Sengqian’s calligraphic expression puts the calligraphy art on the mark of art truly. And Zhang Huai-cui’s theory says that for the romantic calligraphy style and genre formation, And provided the theoretical basis for the development and eventually contributed to the lofty status of romantic writing style in the history of Chinese calligraphy. In the history of Chinese culture, the Wei, Jin and the Six Dynasties were a period of significant change. During this period “human consciousness ” and “literary conscience ” had an important influence on the development of Chinese literature and art. At this point, the evaluation of people, has not just stay in the appearance of behavior, section on the operation, but gradually