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我是迟疑地走近朱清章(剧中叫朱清扬),走进《惊蛰》的。说实话,我本不愿接这个一句话就可说完的戏:儿子照顾植物人母亲,31年后母亲醒来。真人真事的原型已经有过铺天盖地的宣传报道,甚至已经拍出了一部电影。再写成舞台剧,完全无法产生创作冲动。再则,敬老孝老的内容基本都是千篇一律的琐碎家事。加上原型是全国敬老孝老模范,创作过程会有很多禁忌、麻烦,费力不讨好。我一再推辞,最后我供职的院方在电话上说,内蒙古的同仁们已经到了北京,希
I am hesitant to approach Zhu Qingzhang (called Zhu Qingyang play), into the “Jingzhe”. To be honest, I would not take this sentence to finish the story: son to take care of botanical mother, mother woke up 31 years later. The prototype of a real life story has been overwhelming publicity reports, and even has shot a movie. Rewrite the stage drama, can not create creative impulse. In addition, the content of respecting the elderly and filial piety are basically stereotyped trivial families. Coupled with the prototype is the national model of respect for filial piety, the creation process will have a lot of taboo, trouble, effortless please. I have repeatedly refuted this. Finally, on the telephone, the hospital where I served said: Inner Mongolia colleagues have arrived in Beijing,