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骈散交融,文笔融合而不偏于一端;反对以时文为古文、剪裁驾空诸法为古文,提倡反映典章制度和日常生活情事的真古文;反对古文空谈性命,呼吁古文展示人伦日用和博古通今之道;肯定写古文可以从模拟入手,但不是从散行非韵的笔,而应该从押韵的文入手等是蒋湘南骈散观的主要内容。这除了受乾嘉以来文笔论的影响外,还与当时学风变化及个人辗转幕府的经历和疏狂好奇的性格等有关。
Opposing the prose as a classical essay, cutting off the airborne spell as a classical essay, advocating the true essay reflecting the system of the ordinances and the daily life; Anti-classical essays talk about life, It is certainly written in ancient times that imitation can be started from the simulation, but not from the non-existent pen, but should start from the rhyme of the text is the main content of the Southern Hunan sensation. Apart from being influenced by the essay written by Gan and Jia, it is also related to the change of study style, the personal experience of being a shogunate, and the ferocious curiosity.