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2013年1月,UCCA推出了一个由50位(组)艺术家共同参与的大规模群展,这些艺术家出生于1976-1989年间,策展人鲍栋和孙冬冬经过一年多的考察和讨论才最终选定。展览开幕后,很多业内人士表示反响不如预期,甚至有人发表长篇评论文章对此展览进行批判,并由此引发了微博互骂和约架的行为。笔者对于展览本身的好坏不做评论,但从总体反馈来看,唱衰的比唱好的多。无论这个展览本身的价值有多大,它吸引了很多人(包括非艺术人士)的关注,而由这个展览衍生出的好的或坏的影响,引发了人们对于“专业性”、
In January 2013, UCCA launched a large-scale group exhibition with the participation of 50 artists. The artists were born between 1976 and 1989. After curators Bao Dong and Sun Dongdong spent more than a year of investigation and discussion, they finally came to an end. Selected. After the opening of the exhibition, many people in the industry said that the response was not as expected, and even some people published long review articles to criticize the exhibition, and this led to the behavior of microblogging and framing. The author does not comment on the quality of the exhibition itself, but judging from the overall feedback, singing is much better than singing. Regardless of the value of the exhibition itself, it attracts the attention of many people (including non-artistic people), and the good or bad influence derived from this exhibition has caused people to “professionalism”.