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盖·里奇的电影往往具有一种极为怪诞的喜剧风格,其在语言、人物形象与叙事顺序上都充斥着节日般的狂欢气息。将盖·里奇的电影置于后现代的视域下进行观照,不仅是探讨里奇本人艺术特点与美学追求的必由之路,也是理解后现代主义电影形式价值与意义的重要切入点。文章从叙事深度上对崇高的消解,叙事结构上对偶然性的强调,叙事手法上对拼贴、戏仿等手段的运用三方面,分析盖·里奇电影叙事的后现代主义特征。
Guy Ritchie’s movie often has an extremely grotesque comic style that is filled with a festival-like carnival in terms of language, character and narrative. It is not only the way to explore the artistic characteristics of Ridge and the pursuit of aesthetics, but also the important entry point to understand the value and significance of Postmodernism film form. The article analyzes the postmodernism of Guy Ricci’s film narration from the depth of narration to the sublimation, the emphasis on the contingency in the narrative structure, the application of the means of collage and parody in narrative techniques.