“比较艺术学”的建设,并不应该只是抽象思考的结果,而是应该结合具体的研究来发展。艺术的视域是人间生活,艺术在生活中占据的位置就是祝祭。艺术作品间的类似关系只有根据对应该预先比较的个别艺术作品的理解的掌握程度才能进行比较研究。类似关系和发生关系的不同是根本性的。只有明确认识这一点,“比较艺术学”这一说法代表的真正含义才能被谈起。 The construction of comparative art should not only be the result of abstract thinking, but should be developed in combination with concrete research. The visual field of art is human life, and the place occupied by art in life is a sacrifice. A similar relationship between works of art can only be compared based on the mastery of the comprehension of the individual works of art to be pre-compared. The similarities and differences are fundamental. Only with a clear understanding of this point can the true meaning of the “comparative art theory” be represented.