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《白鹿原》作为九十年代家族神话书写的巨作,在宏大的历史革命叙事下隐藏着传统的“子”对“父”的背叛,然后“子”在历经诸多苦难与磨砺之后又重新回归“父”的构架,并且这种潜在模式在代代相传中形成了经典的“出走——回归”叙事结构。民间话语多条线索纵横交错,对家族与村落文化在“五四”颠覆之后的重新定位和对乡村宗法社会历史文化和人性悲剧充满同情的审视,都构成了一种潜在的回归模式。
As a masterpiece written in the myth of the family in the 90’s, “Bai Lu Yuan” conceals the traditional betrayal of “father ” under “grand historical revolutionary narration ” and “son After sharpening, it returns to the ”father“ structure again, and this potential model has formed the classic ”departure-return“ narrative structure from generation to generation. The crisscross of clues of folk discourse, the reorientation of clan and village culture after the overthrow of ”May Fourth Movement" and the examination of compassion for the rural patriarchal society, history, culture and humanity tragedy constitute a potential mode of regression.