帕斯在诗歌创作中,一反统治诗坛多年的唯美主义、形式主义和效仿欧洲的传统作法,把美洲的社会、历史、文化等题材作为诗歌创作的主体,大大地丰富了空泛已久的诗歌内容。他打破了诗歌的“封闭性”,创立了“开放型”的诗风,把诗歌从典籍,神话和训诂学中解放出来,赋予它内涵丰富的象征和隐喻;从而把读者从被动消极的欣赏者,变成积极思考的创作者;把静止的诗变成了“运动的诗”,帕斯不仅开创了“有感而发”的一代开放型诗风,而且还大胆地革新了诗的语言,在帕斯的诗中,清新铺陈的口语化诗句,代替了冗赘凝重的华丽辞藻。在他的诗中,奔放挥洒的语言此起彼伏,形散神合,令人耳目一新。《拱》一诗就是一例。它读起来似乎平铺直叙,用典少,难度不大。但实际上要理解诗人的意境却绝非易事,正因为语言的浅显,才更加突出了诗的开放性和运动性:读者要透过浅显的语言,寻找隐喻的深刻内涵。同许多诗人一样,帕斯的诗中也蕴含着丰富的哲理。在《元旦》一诗中,我们可以看到诗人的周而复始的时间观,但总的说来,帕斯的时间观并不象博尔赫斯那样变幻莫测。也许,他的诗中最引人注目的,要算是他对语言的那种特殊和神圣的感觉了。可以说,帕斯不仅对诗歌的语言进行了革新,而且也对它进行了最深刻的反思。纵观帕斯的诗作,可以把他的创作特点归结为:现实的题材,浅白的语言,开放性的结构和丰富的寓意内涵。这些特点我们可以在《拱》和《元旦》中略见一斑。 In his poetic writing, Paes has greatly enriched the long-awaited poetry by taking the theme of social, historical and cultural themes of the Americas as the main body of his poems for many years in the aestheticism, formalism and the European tradition. content. He broke the “closedness” of poetry, created the style of “openness”, liberated the poetry from classics, mythology and exegesis, and gave it rich symbols and metaphors; Into a positive thinking creator; the static poetry into a “movement poem”, Pass not only created a “sense of smell” generation of open style poetry, but also boldly innovative poetic language, in Pass’s poem, the fresh spread of colloquial poetry, instead of redundant dignified rhetoric. In his poem, the bold and energetic language comes one after another, which is refreshing. An example of “arch” is a poem. It seems to be straightforward to read, with a small code, not difficult. However, in fact it is by no means easy to understand the poet’s mood. It is precisely because of the simple language that the poetry is more open and motivated: readers should look for the profound connotations of metaphors through simple language. Like many poets, Parson’s poem also contains a wealth of philosophy. In “New Year’s Day” a poem, we can see the poet’s recurrent concept of time, but in general, Paz’s time concept is not as unpredictable as Borges. Perhaps the most striking feature of his poem is his special and sacred feeling of language. It can be said that Paz not only renovated the language of poetry, but also carried out the most profound reflection on it. Looking at Paz’s poem can be attributed to his creative features: the reality of the subject, plain language, open structure and rich moral meaning. These characteristics we can see in the “Arch” and “New Year’s Day.”