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作为广西音乐遗产中的偶像,刘三姐的形象被一再情境化。近年来,以刘三姐为核心打造的景点层出不穷,她的家乡、广西地方以及少数民族族群都将刘三姐当成富有竞争力的标识。文化表演《印象.刘三姐》力图展示地方社会,但对于刘三姐该被如何表现却引发了当地关于艺术与挪用的公开论争。基于2003–2004年《印象.刘三姐》制作期间进行的田野调查,对广西最富盛名的这一文化表演中所呈现出的民族展示与文化所有权问题进行了研究,概述了相关论争并探讨了这类利用共享的文化资源、以盈利为目的的冒险性表演所蕴含的意义。
As an idol in Guangxi’s musical heritage, Liu Sanjie’s image has been repeatedly contextualized. In recent years, Liu Sanjie as the core attractions to create an endless stream, her hometown, Guangxi and ethnic minorities will be the Third Sister Liu as a competitive logo. Cultural performance. “Third Sister Liu strives to showcase local society. However, it is the public debate over art and appropriation that led to the performance of Third Sister Liu. Based on the fieldwork conducted during the making of ”Impression Liu Sanjie" from 2003 to 2004, this paper studied the ethnic display and cultural ownership in Guangxi’s most prestigious cultural performance, outlined the relevant debates and explored the Class uses the shared cultural resources, for the purpose of profit-taking adventure implied meaning.