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近年来,杂技业相当活跃,发展相当迅速。不曾出现过的动作、不曾出现过的节目、不曾出现过的技巧结构、不曾出现过的编排创意、不曾出现过的比赛、不曾出现过的晚会实在太多了,以“东风”或“冬韵”、“西风”或“春韵”等极高诗意化命名的主题作品层出不穷,令人觉得这个世界被杂技占领的区域越来越多,影响的程度越来越深。与此同时,睿智者的文章将舆论界,众多模糊的概念清晰起来,繁杂的包袱被轻易捅破。实践和理论,如今,都呈现着空前的进取态势和繁华。
In recent years, the acrobatics industry has been quite active and has developed quite rapidly. Never appeared in the action, never appeared in the program, never appeared in the skill structure, never appeared in the layout of creative, never appeared in the game, had never seen the party too much, with “Dongfeng” or “Dong Yun”, “Westerly” or “Spring Rhyme” and other highly poetic named endless works of the theme, it is felt that the world is occupied by acrobatics in more and more areas, the degree of influence more and more deep. In the meantime, the wise man’s article clarifies many vague concepts among the media and the complex burden is easily pierced. Practice and theory are now showing unprecedented momentum and prosperity.