王森然在中国近现代史上集多重身份于一身。他在新文化运动中支持和发扬陈师曾的文人画论,为文人画正名,并身体力行,在绘画创作方面形成独特的美学风格。他的画作超越了一般意义的文人画,是记录时代的活化石。本文着重论述他在文人画方面的贡献,探究他绘画作品的风格特点及其形成原因,从而总结出他的文人画美学思想。 Wang Senran in the modern history of China set multiple identities in one. In the New Culture Movement, he supported and carried forward Chen Shiceng’s literati theory, wrote his name for the literati, and worked hard to create a unique aesthetic style in his painting creation. His painting goes beyond literary painting in the general sense and is a living fossil of the record age. This article focuses on his contribution to the literati painting, exploring the style and features of his paintings and the reasons for the formation, thus summarizing his aesthetics of literati painting.