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从唐五代开始,词的创作就进入了日常生活,没有盛唐旖旎的边塞和缤纷的自然,中唐针砭时弊的控诉与劝谏,知识分子在绝望之后重新将眼光转移,艺术的天平走向了更为个人化、阴柔化的审美,表现了与六朝宫体诗颇为类似的美学主题。审美趣味和艺术主题已完全不同于盛唐,而是沿着中唐这条线,走进更为细腻的官能感受和感情色彩的捕捉追求中,时代精神已不在马背上,而回到了闺房,回到了心境。
From the beginning of the Tang and the Five Dynasties, the creation of the word entered daily life without the exuberant frontier and colorful nature of Tang Dynasty. In the mid-Tang Dynasty, A more personal, feminine aesthetic, the performance of the Six Dynasties palace poem quite similar aesthetic theme. Aesthetic taste and artistic theme has been completely different from the Tang Dynasty, but along the line of the Middle Tang Dynasty, into the more delicate functional and emotional pursuit of capture, the spirit of the times is no longer on horseback, and returned to the boudoir Back to the state of mind.