《创业史》发表后引发了一场关于“真实性”的论争,这场论争最终以梁生宝代表着新中国的形象,反映了本质真实为结论而告终。建国后,基于对世界格局两极对立化的认知,构建一个“新中国形象”成为当代文学的首要任务。所谓的“真实性”自然要为这一宗旨服务。因此,国家对阶级关系的认定成了是否合乎“真实”的唯一标准。 The publication of “History of Entrepreneurship” triggered a debate about “reality ”. This debate ultimately represented Liang Shengbao as the image of New China, and it reflected the fact that intrinsic truth ended in the conclusion. After the founding of the People’s Republic of China, building a “new China image” based on the recognition of the bipolarization of the world’s pattern has become the primary task of contemporary literature. The so-called “reality” naturally serves this purpose. Therefore, the state’s determination of class relations has become the only criterion for whether it is in line with “real”.