由于参与拍摄了《香港十年》,拍《澳门十年》,台里就派我担任责任编导,主要负责与澳门方面的外联,协调工作等。接到任务后,我比其他编导提前三个月到达澳门,挑选采访人物,联络采访拍摄事宜。在儿时的港剧中,赌场、赛马、旅游、猪油膏、老婆饼这些符号构成了我对澳门最原始和单纯的记忆,回归以后也去过几次,但都是以游客身份 As a result of his filming of the “Hong Kong 10 Years” and the filming of “Macao’s 10 Years”, Tai Li sent me as a responsible director and was mainly responsible for outreach and coordination with Macao. After receiving the assignment, I arrived in Macau three months earlier than other directors and selected interviewers to contact them for filming. The symbols of casinos, horse racing, traveling, pig ointment and wife cake made up my first and simple memory of Macao during my childhood drama. I visited several times after returning to Hong Kong, but all of them were based on tourists